I don't care what they say; there's no better way to be intimate with three other people than to join a string quartet.
Just how intimate I didn't find out till three years out of college.
We'd met at the academy. I (Melissa) and my husband Jocelyn, the two violins, were the white half of the quartet; Elijah on cello, and Cherish on viola, formed the black half. I loved them all. Two years after college we were well established, touring and sharing hotel rooms; sometimes sharing partners. I don't know why they call it wife-swapping, like it's only the husbands who choose. I loved both the men. Elijah, with his warm, large, rich cock that I love to feel inside me. He's big but gentle, and his penis is likewise. I like Elijah's black dick.
But if I like Elijah's I love Jocelyn's. Well, it's Jocelyn's for a start, and I will never stop loving Jocelyn. Okay, his dick isn't like Elijah's, but he knows how to use it. When he enters me (I can feel it now) he always holds it still for a moment, as though in wondering appreciation, before he starts ministering to me. Every time he comes in he's able to make me feel I'm his first. I like to clasp his neat, white ass while he comes into me, and then keep hold while he thrusts. He says, much as he likes Cherish's body, when his cock comes into me it's like it's returning home. I guess we both feel like that. There's always a welcome in my vagina for either of them, but it's definitely Jocelyn's home.
The thought's never far from my mind while we play our quartets, whether I'm watching the passion in their eyes during sad Russian music, or their devotion to Beethoven's sublime late quartets. I was always specially aware of Elijah and Jocelyn.
That's till I 'discovered' Cherish.
It was another quartet who approached us and started it all.
Somehow they must have sensed we were game for it. They said they wanted to make a video of Mendelssohn's famous octet, scored for two string quartets, a gloriously youthful and energetic play for every instrument. They wanted to make the video on a remote mountain top. The sort of place where you can see a hundred miles in every direction but no-one can see you.
They didn't tell us why that last bit was important.
Like ours, their quartet was half white, half black. They drove us into the mountains, and we climbed. Their first violinist, black Milton, leading the way. When I say leading, he was lengths ahead of us. Athletic, hardly taller than Jocelyn, but built like a lean Marathon runner, he floated up the mountain like a bird, in spite of carrying the video equipment, his violin, and a cello. This last belonged to the white girl of the quartet, a round, cheery-faced girl who looked to be the quartet's mother figure, rather as Cherish was ours. In our quartet I was the slim white girl and Cherish the archetypal 'Black Mama' but in theirs the roles were reversed. They had a 'White Mummy' and a slim black girl.
We caught up with Milton and at last paused to see where he'd chosen for his film. It was stunning. We stood on a grassy platform with sides sweeping away towards views of mountaintop after mountaintop—even higher mountains looking down upon us like guardians.
Up in the sunshine we played the octet together.
Then they dropped their bombshell. They wanted us to video it again naked, so they could research the difference it made to our playing.
No way would I dare to be first to undress. Funnily enough it was the two white men who took the lead. Looking steadily ahead I plucked up courage—after all, there was nothing my quartet hadn't already seen anyway. I looked away from the others, concentrating on the breathtaking panorama. I removed my bra and instantly felt the breeze as my breasts fell free. Then all I was aware of as I stripped was the exhilaration, the freedom. I felt the mountain air blowing through my hair, over my breasts, ruffling my secret—or no longer secret—hair. But why should it be secret? This was the way it should be.
I looked round at the others. Now we were all naked. You could see the others felt the same exhilaration. Some were still looking down the glen, or up to the higher mountains behind us. Others looked at each other. Jocelyn gave me a smile of encouragement and admiration. I returned it, full of love and pride in my partner. Milton was looking at me with an innocent wonder that held no embarrassment for either of us. And wow, I looked back at him. No wonder he'd practically leapt up the mountain. His lean, black form had looked good dressed. Now I could see the structure that produced that energy. Pure muscle, and a masculinity that…well, I can't honestly swear that my look was entirely innocent. But I enjoyed being looked at by a body like his.
Cherish looked as I'd never seen her before. Full, motherly, fecund and fulfilled, her bush of black hair the very archetype of fertility.
Here, atop the mountain, everything felt so right and natural. No-one could see us, but we could see the world. More—we were the world.
We sat to play again.
What a difference. Free, uninhibited, we gave ourselves over to the music. It resounded down the glens, an exultant sound of nature.
When it was over, we burst into spontaneous applause for each other. We laid aside our instruments and the eight of us, still naked, ran, hugging each other, until we found ourselves in pairs holding hands. I couldn't believe I was snuggling up to Milton, his hard abs against my softness. I could even feel his cock swelling against me and, well-hung as he was, I could feel the weight against my thighs. My hands were beginning to creep down his back. But he pulled away.
He spoke to us all. His voice was as cultivated as his muscles were toned.
"No," he said. "This is a special moment, in a special place. We mustn't do what we've always done. Nature has other ways than these. Express your joy in the way you are doing. But the occasion needs something different. Share your love, man to man, and woman to woman. If you haven't before, now is the perfect place and time."
Without any choosing we drifted towards new partners. I found myself in the arms of the slim black girl of the other quartet, Monique. She needed no encouragement. She must have done this before. Her arms were around me, pressing me to herself, our breasts wonderfully cushioned against one another. She kissed me. And ran her hands down my back, clasping my ass the way I clasped Jocelyn's. I clasped Monique's in return. So different she felt from Jocelyn. That someone so slender could have an ass so round, so yielding. We kissed, pressed ourselves against one another. Her hand came round to my front. I was dizzy with the feeling. She was stroking my secret lips, haltingly as though waiting for permission to enter between them. I took her hand in mine, and slowly guided her, like I was giving her a tour of my treasury. I showed her to my inner labia, into the corridor of my vagina, and took her to the most exquisitely delicious parts of my clitoris. Now that she knew where everything was I gave her freedom to roam. Her fingers teased, expertly feeling, fondling, touching. Her other hand still clung to my ass, while her lips breathed over my boobs, occasionally bestowing on a breast a fluttering kiss or even a lick of the tongue.