Lurker
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Just love this!!!The best I ever read...
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Angel Princess of Passion
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“My eyes followed the lines in the mahogony bar now
Stretched and faded into the jostled disstance
As I peered from glass to glass, olives and yellows
Pomegranate red, striped straws
Ice cubes swirling.
You leaned over the bar
Resting your weight on your forearms
And the lanky bartender turned his back, whirling this way and that
You turned to me as if to speak
Did you feel that I was staring?
Here on your left admiring the curls and clumps in your hair
Night seaweed and rippling layers of shadow lines
I taste salt in the etch lines of my vaso
Forest of dripping and entangling vine
What if my fingers were entrapped in the spiral?
“A black Russian would be nice at this point in my night,” you said
Your eyes are the color of a Brazilian nut taken from the recesses of the Amazon
They are the round doors to a viscous memory
Rooted deeply in the warm soil of beginnings
They are oil paints of swirling earth and relucent night
“To read my eyes is to know me and I should like to know a dancer,”
“I think a Cossack dancer, pouring me that drink, warming me” you said.
I traced my eyes across your light olive skin
Down the dangling twisted vine plunged into imagination
Your hips and trembling flesh greeted the percussion
“Buy me the Russian that I ask for and let me warm my organs.”
The silky fringe lay in tatters across your abdomen
I am the breeze to enter the spaces of your transparent blouse
“Sir, bring her a black Russian would you?”
You circled your torso, pressing against the bar, swaying.
My hands trace the olive of your skin
Mahogany and honey, cello and silk
“The drink runs through me.”
Mixing, dipping, blossoming
The spaces of your silhouette in the swirling earth of a reluctant night.”
Stretched and faded into the jostled disstance
As I peered from glass to glass, olives and yellows
Pomegranate red, striped straws
Ice cubes swirling.
You leaned over the bar
Resting your weight on your forearms
And the lanky bartender turned his back, whirling this way and that
You turned to me as if to speak
Did you feel that I was staring?
Here on your left admiring the curls and clumps in your hair
Night seaweed and rippling layers of shadow lines
I taste salt in the etch lines of my vaso
Forest of dripping and entangling vine
What if my fingers were entrapped in the spiral?
“A black Russian would be nice at this point in my night,” you said
Your eyes are the color of a Brazilian nut taken from the recesses of the Amazon
They are the round doors to a viscous memory
Rooted deeply in the warm soil of beginnings
They are oil paints of swirling earth and relucent night
“To read my eyes is to know me and I should like to know a dancer,”
“I think a Cossack dancer, pouring me that drink, warming me” you said.
I traced my eyes across your light olive skin
Down the dangling twisted vine plunged into imagination
Your hips and trembling flesh greeted the percussion
“Buy me the Russian that I ask for and let me warm my organs.”
The silky fringe lay in tatters across your abdomen
I am the breeze to enter the spaces of your transparent blouse
“Sir, bring her a black Russian would you?”
You circled your torso, pressing against the bar, swaying.
My hands trace the olive of your skin
Mahogany and honey, cello and silk
“The drink runs through me.”
Mixing, dipping, blossoming
The spaces of your silhouette in the swirling earth of a reluctant night.”
Laugh, Learn and Most of all Love...My Way of Life...
Gravelly-Voiced Fucker
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Burial Rites
by Philip Levine
Everyone comes back here to die
as I will soon. The place feels right
since it’s half dead to begin with.
Even on a rare morning of rain,
like this morning, with the low sky
hoarding its riches except for
a few mock tears, the hard ground
accepts nothing. Six years ago
I buried my mother’s ashes
beside a young lilac that’s now
taller than I, and stuck the stub
of a rosebush into her dirt,
where like everything else not
human it thrives. The small blossoms
never unfurl; whatever they know
they keep to themselves until
a morning rain or a night wind
pares the petals down to nothing.
Even the neighbor cat who shits
daily on the paths and then hides
deep in the jungle of the weeds
refuses to purr. Whatever’s here
is just here, and nowhere else,
so it’s right to end up beside
the woman who bore me, to shovel
into the dirt whatever’s left
and leave only a name for some-
one who wants it. Think of it,
my name, no longer a portion
of me, no longer inflated
or bruised, no longer stewing
in a rich compost of memory
or the simpler one of bone shards,
dirt, kitty litter, wood ashes,
the roots of the eucalyptus
I planted in ’73,
a tiny me taking nothing,
giving nothing, and free at last.
by Philip Levine
Everyone comes back here to die
as I will soon. The place feels right
since it’s half dead to begin with.
Even on a rare morning of rain,
like this morning, with the low sky
hoarding its riches except for
a few mock tears, the hard ground
accepts nothing. Six years ago
I buried my mother’s ashes
beside a young lilac that’s now
taller than I, and stuck the stub
of a rosebush into her dirt,
where like everything else not
human it thrives. The small blossoms
never unfurl; whatever they know
they keep to themselves until
a morning rain or a night wind
pares the petals down to nothing.
Even the neighbor cat who shits
daily on the paths and then hides
deep in the jungle of the weeds
refuses to purr. Whatever’s here
is just here, and nowhere else,
so it’s right to end up beside
the woman who bore me, to shovel
into the dirt whatever’s left
and leave only a name for some-
one who wants it. Think of it,
my name, no longer a portion
of me, no longer inflated
or bruised, no longer stewing
in a rich compost of memory
or the simpler one of bone shards,
dirt, kitty litter, wood ashes,
the roots of the eucalyptus
I planted in ’73,
a tiny me taking nothing,
giving nothing, and free at last.
Active Ink Slinger
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i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart
i carry your heart(i carry it in my heart)
--e.e. cummings
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart
i carry your heart(i carry it in my heart)
--e.e. cummings
“It's nice sometimes to open up the heart a little and let some hurt come in. It proves you're still alive.”
Active Ink Slinger
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Just noticed that Laura Lee posted this one a few pages ago now. That's ok; it's such a good poem it deserves multiple postings....
“It's nice sometimes to open up the heart a little and let some hurt come in. It proves you're still alive.”
Clumeleon
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Aunt Juila spoke Gaelic
very loud and very fast.
I could not answer her—
I could not understand her.
- Norman MacCaig
very loud and very fast.
I could not answer her—
I could not understand her.
- Norman MacCaig
Her Royal Spriteness
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In my dream,
drilling into the marrow
of my entire bone,
my real dream,
I'm walking up and down Beacon Hill
searching for a street sign -
namely MERCY STREET.
Not there.
I try the Back Bay.
Not there.
Not there.
And yet I know the number.
45 Mercy Street.
I know the stained-glass window
of the foyer,
the three flights of the house
with its parquet floors.
I know the furniture and
mother, grandmother, great-grandmother,
the servants.
I know the cupboard of Spode
the boat of ice, solid silver,
where the butter sits in neat squares
like strange giant's teeth
on the big mahogany table.
I know it well.
Not there.
Where did you go?
45 Mercy Street,
with great-grandmother
kneeling in her whale-bone corset
and praying gently but fiercely
to the wash basin,
at five A.M.
at noon
dozing in her wiggy rocker,
grandfather taking a nap in the pantry,
grandmother pushing the bell for the downstairs maid,
and Nana rocking Mother with an oversized flower
on her forehead to cover the curl
of when she was good and when she was...
And where she was begat
and in a generation
the third she will beget,
me,
with the stranger's seed blooming
into the flower called Horrid.
I walk in a yellow dress
and a white pocketbook stuffed with cigarettes,
enough pills, my wallet, my keys,
and being twenty-eight, or is it forty-five?
I walk. I walk.
I hold matches at street signs
for it is dark,
as dark as the leathery dead
and I have lost my green Ford,
my house in the suburbs,
two little kids
sucked up like pollen by the bee in me
and a husband
who has wiped off his eyes
in order not to see my inside out
and I am walking and looking
and this is no dream
just my oily life
where the people are alibis
and the street is unfindable for an
entire lifetime.
Pull the shades down -
I don't care!
Bolt the door, mercy,
erase the number,
rip down the street sign,
what can it matter,
what can it matter to this cheapskate
who wants to own the past
that went out on a dead ship
and left me only with paper?
Not there.
I open my pocketbook,
as women do,
and fish swim back and forth
between the dollars and the lipstick.
I pick them out,
one by one
and throw them at the street signs,
and shoot my pocketbook
into the Charles River.
Next I pull the dream off
and slam into the cement wall
of the clumsy calendar
I live in,
my life,
and its hauled up
notebooks.
- Anne Sexton, 45 Mercy Street.
drilling into the marrow
of my entire bone,
my real dream,
I'm walking up and down Beacon Hill
searching for a street sign -
namely MERCY STREET.
Not there.
I try the Back Bay.
Not there.
Not there.
And yet I know the number.
45 Mercy Street.
I know the stained-glass window
of the foyer,
the three flights of the house
with its parquet floors.
I know the furniture and
mother, grandmother, great-grandmother,
the servants.
I know the cupboard of Spode
the boat of ice, solid silver,
where the butter sits in neat squares
like strange giant's teeth
on the big mahogany table.
I know it well.
Not there.
Where did you go?
45 Mercy Street,
with great-grandmother
kneeling in her whale-bone corset
and praying gently but fiercely
to the wash basin,
at five A.M.
at noon
dozing in her wiggy rocker,
grandfather taking a nap in the pantry,
grandmother pushing the bell for the downstairs maid,
and Nana rocking Mother with an oversized flower
on her forehead to cover the curl
of when she was good and when she was...
And where she was begat
and in a generation
the third she will beget,
me,
with the stranger's seed blooming
into the flower called Horrid.
I walk in a yellow dress
and a white pocketbook stuffed with cigarettes,
enough pills, my wallet, my keys,
and being twenty-eight, or is it forty-five?
I walk. I walk.
I hold matches at street signs
for it is dark,
as dark as the leathery dead
and I have lost my green Ford,
my house in the suburbs,
two little kids
sucked up like pollen by the bee in me
and a husband
who has wiped off his eyes
in order not to see my inside out
and I am walking and looking
and this is no dream
just my oily life
where the people are alibis
and the street is unfindable for an
entire lifetime.
Pull the shades down -
I don't care!
Bolt the door, mercy,
erase the number,
rip down the street sign,
what can it matter,
what can it matter to this cheapskate
who wants to own the past
that went out on a dead ship
and left me only with paper?
Not there.
I open my pocketbook,
as women do,
and fish swim back and forth
between the dollars and the lipstick.
I pick them out,
one by one
and throw them at the street signs,
and shoot my pocketbook
into the Charles River.
Next I pull the dream off
and slam into the cement wall
of the clumsy calendar
I live in,
my life,
and its hauled up
notebooks.
- Anne Sexton, 45 Mercy Street.
You can’t truly call yourself peaceful unless you are capable of violence. If you’re not capable of violence, you’re not peaceful. You’re harmless.
Lurker
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MASTURBATION
Author: unknown
Every night I am married to my iron bed.
As I am laid out like the linen!
Lumbering thoughts swiftly boomerang.
My words rush in with the wind as my circus whirls.
My thoughts so black they bind me to the night ---- I cannot hide.
My mind is ravaged by sweet nights, hung out cold in its winter.
I transgress through my years.
I have dangled my pendulum, and the last bastion of my soul.
Who will be the one to tremble at my doorway?
Whose essence will arouse my feelings?
The first fluttering when my heart went on a journey all-alone.
The kiss of an angel ---- which my heart will swallow.
Your hands find me like an architect.
My flinging heart imploded with love, and lost its breath.
Weaving me among the stars and shooting comets.
Whisper softly ---- and cup me to your breast like a crying child.
Author: unknown
Every night I am married to my iron bed.
As I am laid out like the linen!
Lumbering thoughts swiftly boomerang.
My words rush in with the wind as my circus whirls.
My thoughts so black they bind me to the night ---- I cannot hide.
My mind is ravaged by sweet nights, hung out cold in its winter.
I transgress through my years.
I have dangled my pendulum, and the last bastion of my soul.
Who will be the one to tremble at my doorway?
Whose essence will arouse my feelings?
The first fluttering when my heart went on a journey all-alone.
The kiss of an angel ---- which my heart will swallow.
Your hands find me like an architect.
My flinging heart imploded with love, and lost its breath.
Weaving me among the stars and shooting comets.
Whisper softly ---- and cup me to your breast like a crying child.
Rainbow Warrior
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Although I'm very fond of Poe and Dr. Seuss, the first poem I ever memorized was by Robert Frost and I still love it...
Fire and Ice
Some say the world will end in fire
Some say in ice
From what I've tasted of desire
I hold with those who favor fire
But if it were to perish twice
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice
Fire and Ice
Some say the world will end in fire
Some say in ice
From what I've tasted of desire
I hold with those who favor fire
But if it were to perish twice
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice
In-House Sapiosexual
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I'm a bit of a womanist and a mother, and a lover of words (the power they have) or as some people say a "logophile" (which sounds quite sexual to me).
I enjoy the depth of the poem and how she forces you to recognize it: /This is a metaphor/.
I've also experienced the loss of voice, the feeling of diminishing power that came with the inability to stand up for yourself, during a life changing
moment.
Spelling
By Margaret Atwood
My daughter plays on the floor
with plastic letters,
red, blue & hard yellow,
learning how to spell,
spelling,
how to make spells.
I wonder how many women
denied themselves daughters,
closed themselves in rooms,
drew the curtains
so they could mainline words.
A child is not a poem,
a poem is not a child.
there is no either/or.
However.
I return to the story
of the woman caught in the war
& in labor, her thighs tied
together by the enemy
so she could not give birth.
Ancestress: the burning witch,
her mouth covered by leather
to strangle words.
A word after a word
after a word is power.
At the point where language falls away
from the hot bones, at the point
where the rock breaks open and darkness
flows out of it like blood, at
the melting point of granite
when the bones know
they are hollow & the word
splits & doubles & speaks
the truth & the body
itself becomes a mouth.
This is a metaphor.
How do you learn to spell?
Blood, sky & the sun,
your own name first,
your first naming, your first name,
your first word.
My daughter plays on the floor
with plastic letters,
red, blue & hard yellow,
learning how to spell,
spelling,
how to make spells.
I wonder how many women
denied themselves daughters,
closed themselves in rooms,
drew the curtains
so they could mainline words.
A child is not a poem,
a poem is not a child.
there is no either/or.
However.
I return to the story
of the woman caught in the war
& in labour, her thighs tied
together by the enemy
so she could not give birth.
Ancestress: the burning witch,
her mouth covered by leather
to strangle words.
A word after a word
after a word is power.
At the point where language falls away
from the hot bones, at the point
where the rock breaks open and darkness
flows out of it like blood, at
the melting point of granite
when the bones know
they are hollow & the word
splits & doubles & speaks
the truth & the body
itself becomes a mouth.
This is a metaphor.
How do you learn to spell?
Blood, sky & the sun,
your own name first,
your first naming, your first name,
your first word.
I enjoy the depth of the poem and how she forces you to recognize it: /This is a metaphor/.
I've also experienced the loss of voice, the feeling of diminishing power that came with the inability to stand up for yourself, during a life changing
moment.
Spelling
By Margaret Atwood
My daughter plays on the floor
with plastic letters,
red, blue & hard yellow,
learning how to spell,
spelling,
how to make spells.
I wonder how many women
denied themselves daughters,
closed themselves in rooms,
drew the curtains
so they could mainline words.
A child is not a poem,
a poem is not a child.
there is no either/or.
However.
I return to the story
of the woman caught in the war
& in labor, her thighs tied
together by the enemy
so she could not give birth.
Ancestress: the burning witch,
her mouth covered by leather
to strangle words.
A word after a word
after a word is power.
At the point where language falls away
from the hot bones, at the point
where the rock breaks open and darkness
flows out of it like blood, at
the melting point of granite
when the bones know
they are hollow & the word
splits & doubles & speaks
the truth & the body
itself becomes a mouth.
This is a metaphor.
How do you learn to spell?
Blood, sky & the sun,
your own name first,
your first naming, your first name,
your first word.
My daughter plays on the floor
with plastic letters,
red, blue & hard yellow,
learning how to spell,
spelling,
how to make spells.
I wonder how many women
denied themselves daughters,
closed themselves in rooms,
drew the curtains
so they could mainline words.
A child is not a poem,
a poem is not a child.
there is no either/or.
However.
I return to the story
of the woman caught in the war
& in labour, her thighs tied
together by the enemy
so she could not give birth.
Ancestress: the burning witch,
her mouth covered by leather
to strangle words.
A word after a word
after a word is power.
At the point where language falls away
from the hot bones, at the point
where the rock breaks open and darkness
flows out of it like blood, at
the melting point of granite
when the bones know
they are hollow & the word
splits & doubles & speaks
the truth & the body
itself becomes a mouth.
This is a metaphor.
How do you learn to spell?
Blood, sky & the sun,
your own name first,
your first naming, your first name,
your first word.
? A True Story ?
Active Ink Slinger
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Stopping by Woods on a Snowy Evening
By Robert Frost
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
By Robert Frost
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
“It's nice sometimes to open up the heart a little and let some hurt come in. It proves you're still alive.”
Bonnet Flaunter
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In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.
Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.
Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art
Bonnet Flaunter
0 likes
by Dylan Thomas, fyi!
living dead girl
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Annabel Lee
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea:
But we loved with a love that was more than love -
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her high-born kinsmen came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me -
Yes! that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud one night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we -
Of many far wiser than we -
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee;
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling -my darling -my life and my bride,
In the sepulchre there by the sea -
In her tomb by the sounding sea
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea:
But we loved with a love that was more than love -
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her high-born kinsmen came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me -
Yes! that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud one night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we -
Of many far wiser than we -
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee;
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling -my darling -my life and my bride,
In the sepulchre there by the sea -
In her tomb by the sounding sea
I'd love you to check out my latest
https://www.lushstories.com/stories/monster-sex/-summer-of-the-tentacle-.aspx
https://www.lushstories.com/stories/monster-sex/-summer-of-the-tentacle-.aspx
Lurker
0 likes
I chanced upon this li'l gem earlier today. Still tossing the lines in my head and smiling about it. Think it will be my favourite for awhile.
I spin a shroud about the past,
Sink within to primordial places,
Where I dissolve and resolve,
Rearrange my very molecules,
And imagine myself flying.
Holometabolism
- xYz
I spin a shroud about the past,
Sink within to primordial places,
Where I dissolve and resolve,
Rearrange my very molecules,
And imagine myself flying.
Holometabolism
- xYz
Brown Sugar
0 likes
won't you celebrate with me -- Lucille Clifton
won't you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.
won't you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.
Sarcastic Coffee Aficionado
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Quote by LauraLee_sugah
today it is this one by e.e. cummings
“I carry your heart with me (I carry it in my heart)I am never without it (anywhere
I go you go,my dear; and whatever is done by only me is your doing,my darling)
I fear no fate (for you are my fate,my sweet)I want no world (for beautiful you are my world,my true)
and it's you are whatever a moon has always meant and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart
I carry your heart (I carry it in my heart)”
This has always been my favourite poem .... and I always envisioned my Beloved and I sharing this. *sighs* ... maybe one day .... one day ....
Van
Charming as fuck
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since i read this at school it's always been a favourite - by Edna St Vincent Millay
What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more.
What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more.
Advanced Wordsmith
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My All time favorite. Keeps me center.
Desiderata - by Max Ehrmann 1927
Go placidly amid the noise and haste, and remember what peace there may be in silence.
As far as possible without surrender be on good terms with all persons.
Speak your truth quietly and clearly; and listen to others, even the dull and ignorant; they too have their story.
Avoid loud and aggressive persons, they are vexations to the spirit.
If you compare yourself with others, you may become vain and bitter;
for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans.
Keep interested in your career, however humble; it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs; for the world is full of trickery.
But let this not blind you to what virtue there is; many persons strive for high ideals;
and everywhere life is full of heroism.
Be yourself.
Especially, do not feign affection.
Neither be critical about love; for in the face of all aridity and disenchantment it is as perennial as the grass.
Take kindly the counsel of the years, gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune. But do not distress yourself with imaginings.
Many fears are born of fatigue and loneliness. Beyond a wholesome discipline, be gentle with yourself.
You are a child of the universe, no less than the trees and the stars;
you have a right to be here.
And whether or not it is clear to you, no doubt the universe is unfolding as it should.
Therefore be at peace with God, whatever you conceive Him to be,
and whatever your labors and aspirations, in the noisy confusion of life keep peace with your soul.
With all its sham, drudgery and broken dreams, it is still a beautiful world. Be careful. Strive to be happy.
Desiderata - by Max Ehrmann 1927
Go placidly amid the noise and haste, and remember what peace there may be in silence.
As far as possible without surrender be on good terms with all persons.
Speak your truth quietly and clearly; and listen to others, even the dull and ignorant; they too have their story.
Avoid loud and aggressive persons, they are vexations to the spirit.
If you compare yourself with others, you may become vain and bitter;
for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans.
Keep interested in your career, however humble; it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs; for the world is full of trickery.
But let this not blind you to what virtue there is; many persons strive for high ideals;
and everywhere life is full of heroism.
Be yourself.
Especially, do not feign affection.
Neither be critical about love; for in the face of all aridity and disenchantment it is as perennial as the grass.
Take kindly the counsel of the years, gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune. But do not distress yourself with imaginings.
Many fears are born of fatigue and loneliness. Beyond a wholesome discipline, be gentle with yourself.
You are a child of the universe, no less than the trees and the stars;
you have a right to be here.
And whether or not it is clear to you, no doubt the universe is unfolding as it should.
Therefore be at peace with God, whatever you conceive Him to be,
and whatever your labors and aspirations, in the noisy confusion of life keep peace with your soul.
With all its sham, drudgery and broken dreams, it is still a beautiful world. Be careful. Strive to be happy.