Simon sat at a table in a back room of the tavern nursing his glass of red wine. It was normally a raucous place after a performance at the theatre but tonight the atmosphere was strangely subdued. He stared into the candle stub, its flame flickering smokily as he recalled the afternoon’s entertainment.
A new play at The Rose, particularly for an avid playgoer, was something to look forward to in itself. Moreover, a work by such a talent as the brilliantly wayward Christopher Marlowe would be enticement for the most jaded palate and was the talk of London. Simon had gone forth from his home in Bankside that afternoon with a sense of great anticipation.
He made his way amongst the bustling crowds milling at the theatre entrance, paid for his seat and cushion and filed up the notoriously smelly stairways of The Rose. As he got to the balcony and looked for a space on the rapidly filling benches, his eye was caught by a comely, female figure as she progressed towards the more expensive seats in the gallery near the stage. She was closely accompanied by an older man, perhaps her father or the lucky husband of a much younger wife.
The gentleman protectively ushered her into her seat, and as she took her place the pretty woman caught Simon’s appreciative stare. Even before he heard that distinctive, breathy giggle he recognised her as Betsy, one of the more select and pricier girls who plied her trade at a nearby tavern. Noting her neat, modest, and undoubtedly expensive dress, Simon guessed that she had found herself a new protector and grinned back at her while her elderly inamorata was not looking.
However, that moment of humour faded quickly as the action started on the stage below. Along with the crowd he shuddered and gasped as the disturbing nature of the play unfolded. As a superstitious man in a superstitious age, Simon copied the uneducated groundlings' instinctive reaction and made the sign of the cross as Marlowe’s Dr Faustus made his fatal pact with the devil.
As Simon took another sip of wine, he remembered at how he was gripped as he watched Faustus wrestling with earthly temptations. He pondered as to how Faustus, a doctor like himself and a modern man of science could throw away his gifts to become such a wretched, godless creature.
He marvelled in remembrance at how Edward Alleyn, in the title role, had held the stage in full, imperious command of Marlowe’s peerless poetic lines; miles away from the amiable family man he had sunk many a tankard of ale with in this very tavern. He shuddered at the thought of the final scene of the play where the demons took a shrieking, wretched Faustus into the gaping Mouth of Hell; even though in his rational mind he knew this was merely Henslowe the theatre owner’s painted creation.
Simon sat quietly as he thought about the narrow line between science and magic. Necromancy, the filthy art of reanimating a corpse, filled him with horror, although he, like many other learned men of his age was fascinated by the idea of summoning spirits. He mused over how astrology and herbalism were a normal part of a professional doctor’s practice and used for healing, and so, despite old wives tales of witchcraft could be considered as far away from the dark arts. Also, alchemy was studied as a serious science, with even Queen Elizabeth’s favourite astrologer, Doctor John Dee having explored the elusive art of turning base metal into gold.
Simon sighed as he thought of the real issue that struck a chord with him in Faustus’s undoing. As any man in this Christian age, he was genuinely appalled by the acts of dark magic that were so vividly portrayed on the stage; but he also knew his own weakness. He had an unending lust and insatiable appetite for female flesh. He knew that, like Faustus, he could not turn down a night with a mythical beauty such as Helen of Troy and in his deepest heart that he would sell his soul to partake in such an exquisite carnal delight. That spark of self-knowledge made him shudder at the possible consequences.
Almost on cue, there was an uproar in the main room of the tavern and the merry sound of musicians starting up as though some entertainment was afoot. Simon was relieved to be distracted from his gloomy, introspective mood, and made his way through to stand in the doorway to watch what was unfolding.
Some benches had been hastily put together to form a makeshift stage or catwalk. As a young woman was helped up on to this platform, to his somewhat shamefaced amusement he felt this was a mind-reading parody of his lustful thoughts. The canny tavern owner had been so taken by the idea of Marlowe’s parade of beauty that he decided to exploit it for profit and general entertainment of the night’s clientele.
On the catwalk stood Teresa, commonly known as Tess, the daughter of a Spaniard whose forebears claimed North African heritage. Some of the poets who hung around the tavern claimed her as their Dark Lady, and an inspiration for their intoxicated love verses. Who better to be got up as Cleopatra of the Nile? Simon thought to himself, with an admiring smile at her delicious form.
Tess posed there, proud as a queen, gathering avid male attention with her near nudity. Her hair was braided away from her face and her head crowned with a diadem and her beautiful brown eyes traced with black to make them wider and even more mysterious.
Her face may have depicted all the secret mystery of the Nile but her body was almost totally revealed for the salivating delectation of the onlookers. Only her legs were covered with a long swathe of fabric gathered just below her hips, above which was a sumptuous amount of oiled, olive-toned skin. Her bare, high, glistening breasts were shown off further by the addition of a snake (evidently made from a gold-painted twist of rope and borrowed from the theatre's prop store) which was coiled around her neck and arms.
Simon felt his cock throb with appreciation as she moved sinuously to the music; her long, brown, pointed nipples quivering. As the tavern owner started off the bidding, the men gathered close to the makeshift stage and eagerly bartered for a night with her. Tess writhed and wiggled delectably until she was helped down off the perch by the lucky, if now appreciably poorer, winner.
Simon watched with amusement over another glass of wine as several more of the choicest girls, arrayed as mythical beauties, were auctioned off to over-excited members of the throng and led upstairs to the tavern’s now heaving bedchambers. As he watched the last giggling girl, lifting her elaborate skirts being chased up the staircase by her eager victor, he idly thought the girls had better get the costumes back without damage to Henslowe or they would have to pay back all the profit made this night.
The musicians had now finished playing and the crowd was now starting to wane. This was partly due to the growing lateness of the hour and the fact that a number of tonight’s revellers were otherwise occupied in the upper chambers; or not in sufficient funds to win a lady’s favour and so had slunk away disappointed.
Simon had finished his third cup of wine and was starting to think about heading homeward himself. Then seemingly out of nowhere, a luminous figure was enthroned on the dais. Simon felt his heartbeat slow and all the desultory chatter of his few remaining fellows faded as he gazed at her.
Part of him felt like he was back at the theatre, the open roof spotlighting this wonderful creature in a brilliant shaft of sunlight. He had been aroused enough by Marlowe’s storytelling, even when he knew it was only a boy actor on the stage tricked up to represent mythical queen.
But this was no play acting and that mild arousal become a roaring, insane compulsion as he knew this was Helen of Troy herself, come to bait him and tease him for his soul. He stood entranced as she stood like a statue, as unlike the other girls, those mere mortals, she did not giggle or entice but stood still and apart and effortlessly exquisite.
Her head covering was of the finest gold gauze barely stirred by her breath and he could tell by the delicate outline of her features that her face beneath it was perfection. Her body was contained in the simplest Grecian shift of the same fabric, its contours hidden yet exquisitely revealed by the ripples of fine cloth as if carved by the greatest classical sculptor. Simon felt like Paris in the legend of Troy, that he was spellbound by her beauty and had to steal her away and possess her as if his soul depended on it!