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a body of work...question...

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Quote by Milik_Redman
It's very easy to get pigeon holed, especially when you focus on poetry. That art, more than any other, speaks of our state of mind. The way you write it makes it very much feel as if these are your honest emotions. Naturally, people pick up on that;

Of course, how you are perceived can be changed. Try writing something outside the box for yourself. Try focusing your thoughts on something different. Perhaps on what you find joyful in sex. When I first started writing poetry here, I was in a pretty dark place and it was showing in my poems, especially on the blue site. I met someone who gave me the help I needed to claw my way out, and she did it by simply believing in me. She has my undying love for that.

My advice then, Margot, would be for you to try your hand at some fashion erotica. These are very short stories that will almost force you to stay focused on the joy that sex should be. Just write a fantasy that turns you on, and I can promise that if you do, your readers will pick up on that.

Just think of what you would like to do, or have done to you. A short exploration of masturbation would also be well received. It sounds to me like you are ready to grow as a writer. This would be a good way of doing it.


This is a really powerful post, incisive and right to the poetic point. Thanks.

As for Margot?
Margot just be a writer and write for yourself. Life will pigeon hole you no matter what you do or say or write. So write and damn the readers. It is your work, your mojo, write for yourself and not for critical acclaim or acceptance.
Gosh what an interesting discussion that arrived at fashionably late.

I've never worried about being pigeon-holed, but perhaps that's easy with such a small body of work behind me and not having written any poetry! But I don't think prose and poetry are that different really. I look at things simply. I want to share a story that is in my head and there's no one else to tell it quite the way I want to tell it. I write for myself in that sense. But I care what people think: I would like people to empathise with the characters so that they recognise something of themselves in them. It makes descriptions much easier; I can leave more to the reader's imagination that way.

Maybe there will come a point when I'm 'drawing from the same well'. But then the challenge will be to make the story better when I retell it.

I've just read Philip Larkin in the Paris Review, and he put it far better when he applied it to his poetry: ” ... you write because you have to ... it seems as if you’ve seen this sight, felt this feeling, had this vision, and have got to find a combination of words that will preserve it by setting it off in other people. The duty is to the original experience. It doesn’t feel like self-expression, though it may look like it. As for whom you write for, well, you write for everybody. Or anybody who will listen."
Quote by microphonegirl


This is a really powerful post, incisive and right to the poetic point. Thanks.

As for Margot?
Margot just be a writer and write for yourself. Life will pigeon hole you no matter what you do or say or write. So write and damn the readers. It is your work, your mojo, write for yourself and not for critical acclaim or acceptance.


Thank you hon.xxoo
Quote by adirtysecretboy
To thy own self be true.

Many people including myself use the poetry to process what has happened to us.

I approach everyone's work with the open mind and there is value in all of it.

Be who you are, write what you like and let the chips fall where they may.

Just an idea.


Thanks, hon..xxoo